DOI 10.60531/INSIGHTOUT.2024.2.6| FRAUWALLNER: IN//OUT OF FRAME_ INSIGHTOUT 2(2024) 29Women are rarelyvisible in the photographs that showlabourers; there areonly a few examplesin which women are“hidden” in crowdsof men.Global North through photographs. In this respect, Herero women appear invisible in onecontext and highly visible in another.The case of Herero women performing forced labour as prisoners of war challengesthe notion of labour, infrastructure, and waras exclusively male domains, necessitating are-examination of these“male spaces”. By exploring sources like photographs and witnessaccounts, this paper aims to reveal the gendered dynamics of labour exploitation underGerman colonialism. Marion Wallace notesthat“[…] it remains a depressing constant[…]that gender is frequently not incorporatedinto the paradigm in which many new[histories] are written.”2This paper aims to highlight the intersecting oppressions of race andgender that shaped the realities of Hererowomen, illustrating the particular vulnerabiliIntroductionThe German-Namibian War of 1904–1908 has gaities they faced as colonial subjects.3Sources and methodologyned an infamous status as the first genocide com- The first primary source, an album published by Armitted by Germans in the twentieth century. De- thur Koppel AG in 1907, documents the constructionspite there being a long discourse on the atrocities of the Otavi railway from Swakopmund to the copcommitted by the GermanSchutztruppe1in colonial per mines of Tsumeb. While two specific photographsNamibia against the Herero and Nama people, one highlight the clear pro-German propagandistic laaspect has largely been sidelined by scholarship: the belling and intention of the photo album, the restrole of Herero women as prisoners of war and forced mostly aims to showcase the success of infrastruclabourers in colonial enterprises. This contribution ex- ture projects such as the expansion of the colonialamines the experiences of Herero women as forced railway network. The second is a privately assemlabourers in the construction of the Otavi railway du- bled album by one Lieutenant Nath, likely tracing hisring the war. These experiences are contrasted with own route from Germany to its colonies in SouthernGerman war propaganda that created an image of and East Africa in 1904. These sources were surveyHerero women as ruthless warriors – an image which ed to study the representation of Herero women inhad been exported to Germany and the rest of the the context of the German-Namibian War in order1German colonial troops in the African territories.2M. Wallace and J. Kinahan,History of Namibia: From the Beginnings to 1990(Oxford, 2011), 10.3Research on this topic was conducted as part of the research project,“Koloniale Infrastrukturen” of the Museum of TechnologyVienna(TMW), concerning colonial provenance research and Austrian participation in colonial infrastructure enterprises. This research project is funded by the Austrian Federal Ministry for Arts, Culture, the Civil Service and Sport(BMKÖS). I would also like toexpress my gratitude to my colleagues, especially Bettina Jernej for her support during the research process and expert advice onrailway media.